After dancing for five years in Pina Bausch’s plays, Alexandre Castres could fear to be alone on a platform. He wisely invents a partner character, Mr. Zéro, with whom he plays… but whom he embodies. In a detective thriller set, striped in black and yellow, covered in neon tubes and video, he plays his part alone and surrounds us with his atmosphere. His wonder facing the non-sense of life takes the shape of a robot portrait of death. Mr. Zéro plays death. He flaps his arms like flapping wings. His earthling poses, anchored, impulses a fascinating dance of his upper body, fluid and slender. His movements, words, drifting away imagination are absorbed and displayed over again in a long choreographic flow, in a unity of action.